Exists the feature strongly Italian that consists in capacity to surprise and at the same time to generate great emotions; the quality that is recognized and pointed out in the world when one speaks about Made in Italy and for which Maligno Industriarredamenti has accustomed us. Talent, discipline, creativity and unquestioned professional qualities in the sector of cabinet-makings in which activity of Maligno Industriarredamenti, are one more time in the service of an enterprise with massive proportions.

Once known as Palace of Cinema, today Hotel Palais Stephanie of Cannes prepares to go back over the tradition connected to the golden world of cinema and of its famous Festival. Under the prestigious signature of Maurizio Favetta, Kingsize Architects, an intervention of Interior Design of Palais Stephanie had a purpose not easy to put together past and present, history and actuality, tradition and vanguard upsetting at the same time, the most clear concession of these terms. And if Maligno Industriarredamenti in the years had concretised projects of strong emotional impact, being between protagonists of this extraordinary activity points out and confirm very high qualitative and executive level of this enterprise from Cuneo, specialized in realizations and arrangements of the environments and spaces among which SPA, Hotel, showroom, shops and offices.

The image of Palais Stephanie, connected with the history of cinema, had been revised recalling the closest elements to its tradition and introducing the modern language and the architectural concept able to express oneself without being traduced. With the same facility with which Maligno knows to transform the language of wood in poetic art, the symbols of imposing arrangements of the Hotel, send back, with every particularity and without a possibility of misunderstanding, to the magic world of cinema. Crossing the entrances - two, for precision - of Hotel Palais Stephanie means to be transported immediately in the sumptuous atmosphere of Cannes's Festival: theatrical galleries, a huge platform covered with cinematic reel made like fitted carpet, and the greatest symbolic expression, the famous Palm traduced in imposing sculpture of treated metal, the realization of which for surprising dimensions, had troubled even the static's studies.